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By the turn with the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on decor.
English feminist author Mary Haweis wrote some widely read essays inside 1880s by which she derided the
eagerness that aspiring middle-class people furnished their houses based on the rigid models wanted to them from the retailers.[10] She advocated anyone
adoption of the particular style, tailor-made to the consumer needs and preferences
on the customer:

"One of my strongest convictions, and one in the first canons of fine taste, is the fact our houses, such as fish’s shell as well as the bird’s nest, really should represent our individual taste and habits.
The move toward decoration being a separate artistic profession, unrelated towards the manufacturers and retailers, received an impetus using the 1899 formation on the Institute of British Decorators; with John Dibblee Crace becasue it is president, it represented almost 200 decorators across the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which 10 were women. Rhoda and Agnes Garrett were the initial women to learn professionally as decorators in 1874. The importance of their work towards design was regarded during the time as with a par to be able of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic decor to a wide middle-class audience.[12]

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